Halloween (2018) reviewed

Yesterday was quite hot. The forecast was 29 degrees but ended up hitting 34 on the mercury scale. It was an early taste of summer indeed. Friday was even worse, making it a two-day heatwave. Everyone seemed to have gotten the memo, as it was shorts and tee galore. Regardless of the searing heat, my friend and I were in for a trick-or-treat. Halloween might be over, but it’s not too late to indulge in the new instalment.




Mike Myers

The latest segment in the franchise was released forty years since the original. There has been a plethora of uninspired sequels in between. I saw the first Halloween film just last month, the hype surrounding the latest version intriguing me. I liked it, a slasher feature with lots of thrills and with eerie music. Jamie Lee Curtis was superb in her first role. Fast forward to 2018, and Laurie (Curtis) is now a grandmother, but still cannot curb an obsession with Michael Myers, the Halloween killer. Everybody dismisses her fears and could not understand her fixation with security: her guns, locks, and bomb shelter. She is practically estranged from her family, and her daughter prods her to get some help.


She tries to avoid speaking about her past, especially to outsiders. This is curious, as her life revolves around getting vengeance against Myers, the guy who butchered all her friends in ‘78. Myers is institutionalised but manages to escape. Prying podcasters and even his therapist report that Myers has not uttered a single word to them. Even when provoked, he reveals nothing, a hollow shell inside. Soon, the town of Haderfield descends into chaos. Halloween 2018 becomes a splitting image of Halloween 1978. Even though the players are different, the same dread and fear hang in the air. By standers are slaughtered left and right. The local police could not contain the situation. Friends and family fall like dominoes. ‘Cats and dogs living together. Mass hysteria!’



 More than slashing

The movie gives you the creeps without overdoing it. There were three or four scenes where someone surprises another without even wielding an axe. Of course, the film isn’t only about Myers and Laurie Strode; love and family, friendship and resilience all factor into the production. There’s the love between Allison, the granddaughter, and her boyfriend as well as the adoration and trust within her family. The friendship between the teenagers and the bond within the sheriff’s patrolmen. From the start, Laurie has her back against the wall but is headstrong in confronting her fears. The eerie score is here to stay.


Halloween had a 77 million-dollar opening, almost supplanting Venom for the biggest October weekend gross on record. Not only did the box office intake intrigue me, but likewise the glowing critical reception. The jack-o-lanterns and the killer mask also piqued my interest. My friend told me that the new version reminded him of Texas Chainsaw, and that he liked it. In terms of being watchable, I would propose that this instalment is about on par with the original. The success of Halloween c. 2018 almost cures decades of bad sequels. I’m glad that I viewed this picture, my first horror film at the cinemas since IT.


Rating: 4/5



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Homeland reviewed



I am picky when it comes to TV shows. Before I watch, I make sure to check out other people’s thoughts on the series. I also avoid any spoilers while doing this web-based research. Over the years, I haven’t been a big telly viewer. There are many good shows out there, many I’ve overlooked. Regardless, finding gems among TV’s bursting garden is a rarity. I’ve unearthed one such sparkler in the last month. Since hitting our screens in 2011, Homeland has not exactly been flying under the radar. It has earned awards, rave reviews, and a consistently robust viewership. More than standing the test of time, Homeland is impressive as it addresses the fears and struggles of a nation post 9/11. When placed vis-a-vis Vince Flynn novels, Homeland is rawer and more visceral; every episode is an emotional roller coaster. So far, I’ve almost completed the first two seasons, and I’m loving every episode so far.


Untold and Golden

Homeland was mentioned in Oliver Stone’s Untold History of the U.S. The famous left winger posited the show as a perfect example of America’s obsession with security in the wake of the 9/11 attacks. After this, I again encountered Homeland while watching the Golden Globes. The show’s star, Claire Danes, was honoured with a coveted award, and the actor was effusive, saying how generous the Hollywood Foreign Press has been to her over the years. This nod represented her third or fourth Globe at the time. All this points to a momentous watch, and I’m glad I got into the act late this year.




The programme plays with elemental fears of America being swamped by terrorists. At first, only CIA agent Carrie Mathison (Danes) takes this viewpoint. From the start, she is convinced that jihadists have infiltrated the American biosphere. No one takes her seriously, and her erratic and brazen behaviour alienates her from her increasingly impatient colleagues. We learn later that she is battling her own demons. When these inner demons take over her life, she stands to lose everything: her job, her dreams, her shot at delivering the mujaheddin. Viewers would be drawn between the mechanics of espionage, both between the CIA and its enemies, as well as among its constituents. From the power brokers such as the sitting Vice President and CIA assistant director David Ester to the multitude like Carrie and the war hero Brody, the spy games never end.  Meanwhile, they introduce Quinn, a new character, in season 2. Quinn reminds me of another law enforcement agent, detective Quinn in Dexter.

Carrie’s target: returning soldier Nick Brody, who immediately catches her attention. On the outside, Brody seems like your typical war hero who is a family man. However, he also harbours some dark secrets of his own, and Carrie will move heaven and earth to show that she is right about him. Their paths cross, their loyalties shift, but their interplay is what drives the series. Can a US congressman (Brody) really be a terrorist in sheep’s clothing? Is Brody aiding Satan himself, the nefarious Abu Nazir? Unfortunately, the bin Laden wannabe reminds me of someone I know of. Teenage angst, tested friendships, and nosy agencies all play a part in this perilous microcosm. Alex Gansa and Howard Gordon, the engineers of Homeland, succeed in creating America in miniature, all within a weekly, one-hour timeslot. As Bonaparte must have said, ‘We are either kings or pawns, emperors or fools’.



Homeland is one of those rare, addictive series. Before, there was Six Feet Under; then, Dexter; now it’s Homeland. I’ve only watched mostly the first two series, but boy is it riveting. Last year, it completed its seventh season. There is action, lots of it, which the gripping plot aides. The characters are some of the most well constructed I’ve seen on TV. More importantly, the setting always shifts. While there is considerable time allocated to Brody’s abode, the show’s creators makes it a point to go on the road. There is a lovely family sojourn to Philly in the second season as well as a high stakes trip to Lebanon that pays off.



I told my friend that Danes makes a very spirited portrayal of a troubled soul. We both had a laugh. That’s why she won a number of awards, I told him. She even has a star on the Hollywood Walk of Fame. I didn’t know that, he retorted. Yes, indeed: Claire Danes got her star in 2015, and not because of her memorable portrayal of Juliet Capulet in Baz Lurhman’s adaptation of the classic tragedy. Danes got her star as a result of her glowing work on telly. I haven’t seen Danes’s other work on TV, but this is a very strong performance. Some are even calling it her tour de force, with good reason. Together with a very capable cast, Danes’s star continues to shine. Before I forget, I recommended this show to Paige, from my chiro. She told me that her mum had told her about the show and said it was really good. Well, her mother has good taste.

Rating: 5/5



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First Man reviewed


October has been a quiet time at the movies. Venom is clearly the biggest release, then there are generally overrated B+ movies. In fairness, I heard good things about A Star Is Born, although it’s not my type of film. Other pictures are out soon, but they’re probably not going to help audience’s sequelitis. That leaves First Man and El Royale, two solid pictures that have underachieved at the box office.


The fast and the bad

I saw a video online where a reviewer was asked between First Man and El Royale. He kept confusing Bad Times with Fast times at Ridgemont High. You can’t blame him; it has the same ring to it. Anyway, all things considered, his advice was to pick First Man. Cast-wise, both of them have their share of stars and are about as long. However, Damien Chazelle (First Man) has directed two awesome films, Whiplash and La La Land. This is his first Hollywood blockbuster, and his second outing with Ryan Gosling. As I said, it disappointed at the box office and was unable to unseat Venom to open at number one. Pundits attribute this to its target audience, which are generally males aged between 18 and 35.



Drama driven

Though not making a splash with moviegoers, First Man has the goods. The story of Neil Armstrong from 1961-69, it is a heavy movie that unpacks a lot. We learn about the death of Neil’s daughter and how this deeply affected him. We see the overbearing program that winnows the finest of men. We are confronted with the cavalcade of tragedies from every Gemini mission, the precursor to Apollo. The Armstrong family dynamics and how they deal with Neil’s hazardous job is front and centre. The movie is more of a drama than an action-packed space odyssey, highlighting character development over set pieces. In this regard, it is more Arrival (2016) than Gravity (2013).

The true story pumps life to this film and it’s a very aesthetically pleasing one at that. Though lacking in blitzes and bangs, First Man does offer some breathtaking visuals. In particular, these include the moon pictures, the astronauts and their training, press conferences, and sweeping panorama shots. I wouldn’t be surprised at all if Chazelle gets nominated again for some Oscars for this output.



On a different ground

I remember my friend saying that he feels like he’s in another country when in Melbourne. While I don’t share the sentiment, how would it be like to be on the Moon? Jack Kennedy boldly proposed that they should put a man on the moon before the decade is out. The Soviets, Neil’s boss said, have beaten them on every corner, except in reaching the moon. When Neil’s son asked his mother on what’s wrong, she told him that ‘Your dad is going to the moon.’


A bungled lift-off

First Man’s fault is in putting too much on the buildup. The Moon journey takes up half an hour of its 140 minutes. Thus, patrons would be forgiven for getting bored, especially since the players could never stop talking about the foregone conclusion of America’s eventual conquest of the moon. When the moment of truth finally arrives, you feel like you’ve taken a trip to the moon yourself: it’s ‘too little, too late’. That’s why this space odyssey faltered: too little galaxy time amid an unbridled drama. While it rated highly on Rotten Tomatoes, this movie is not for everyone. The same friend spurned this film for precisely the same reasons: it has won critics over, but it won’t attract all curious bees to the honey pot. Definitely not atop my Most Watchable list this year.

Rating: 3.25/5



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Latest reads



I mentioned a couple of weeks ago that two Connelly books and Kevin Kwan’s China Rich Girlfriend comprise my new reading list. ‘Three books in less than a month’, I proclaimed. Since then I’ve been devouring Kwan’s latest, Rich People Problems. I have now completed this read, the last in his trilogy. That makes it my thirteenth book of the year, which isn’t bad but is still half of my chiropractor’s haul. However, this milestone matches last year’s mark with ten weeks to spare. Here is a recap of the bookworm month that was:
Trunk Music. Featured on season 1 of the Bosch TV series, the eponymous LA detective Harry Bosch is once again under fire. A sleazy film producer is found shot in the trunk of a car. What little evidence has been contaminated in the crime scene. After canvassing potential suspects, Bosch soon heads to Las Vegas for answers. He is then introduced to the seedy world of Sin City: casinos, strip clubs, and of course, the mob. As a side note, he crosses paths with an erstwhile flame and rekindles the fire. Nothing is as it seems: bad cops are secretly good, and agreeable five-ohs are actually rotten. Solving this conundrum is a race against time, and Harry has to outwit both LA and Las Vegas police, the mob, and even the FBI. He does all this while being under an inquiry at work, and fighting for his heart. Classic Connelly.

Rating: 4.25/5


China Rich Girlfriend. While Crazy Rich was about Nick Young and his big family secret, the second Kwan novel focuses on Rachel and her lost family in Shanghai. A bigger role for Kitty Pong is one of the first things you’ll notice about the sequel. Edison Cheng, Nick’s cousin, also launches the novel. No doubt, Kitty’s faux pas and in-born charm is perfect for injecting a dose of humour. There is a funny scene involving Eleanor Young and the couple’s wedding, where her jet annihilates the entire set. Thankfully, this whirlwind gets addressed just as soon. While at heart a satire of Chinese society, both on shore and overseas, the book deals with the heavy theme of family. Never turn your back on your parents. If you refuse to hear them out and return their calls, you will not find true happiness. While Kitty’s antics were uproarious, reuniting families, both long lost and briefly lost, was just as cool. Kwan doesn’t skip a beat, from the crazy rich Young’s to Chinese royalty.

Rating: 4.5/5


The Closers. Harry returns to the force after a few years and finds it a vastly different place than the one that he left. The layout is different, new faces have replaced old ones, and his nemesis Irvin Irving is banished from his sixth floor perch. There is also a new chief and the prodigal detective is assigned to open-unsolved, a new department handling cold cases. His fresh boss, Abel Pratt, calls this new team the closers. They are what stands between justice and oblivion. Harry and his old partner Kiz Rider get the Verloren case, a murder that Bosch deems racially motivated. However, as they search for the killer, the pair is faced with ‘high jingo’. Someone at the top doesn’t want this case to ever get solved, and the two are left scrambling. In the middle, they are faced with murder, betrayal, and the bureaucracy as they strive to untangle a matrix of deceit. Nineteen years since the death of Rebecca, justice still comes steep. Will Bosch revert to his old ways, and become a rogue cop? Or will he stick to the rules, and let the law take its course?

Rating: 4.75/5



Rich People Problems. This is the book that everyone covets. With the release of Crazy Rich, there has been a long queue with people raring to get their hands on this one. I can see why. I have reached the finish line and for a while, I couldn’t put down this book. I love how it shifts from various characters, sometimes even within a chapter. I adore the different locales, the captivating dialogue, the slang words and footnotes. The book deals with the Young matriarch on her death bed. The entire clan has arrived in wait for what surely would be a massive fortune, and even Nick has had a change of heart. With his ailing ah ma (grandma), he puts aside his hate and flies to Singapore to be by her bedside, even as his relatives have other ideas. There is scandal, love gained and love lost, messy divorces, exotic cuisine, bodyguards and hotels, and everyone sucking up for a share in what’s presumed to be the biggest fortune in all of Asia. From Bondi Beach to Paris, LA to Palawan, and economy class to private planes, there is something (and somewhere) for everybody. At the heart of this, a changing Singapore saddens not a few characters in the book. The best noodle house has become a high rise, and construction sites are sprouting up like dandelions. Will the same apply to Tyersall Park? Nick’s choice family have called the manor home for a century. Will it endure in their name for another generation?

Rating: 5/5

There’s two more books I’ve borrowed: another Connelly (his first one) and a former Obama staffer’s debut. With the ball rolling on the Bosch, a paperback, being 500 pages long, I still have over 800 pages to read. Challenge accepted.


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Blackkklansman reviewed

We had a long day yesterday. My friend and I were supposed to see Venom at Macquarie Centre but the car park was a nightmare. Getting a spot was impossible and Nick said he felt ‘like a rat in a maze’. We didn’t miss anything as Venom is a crap movie, and I was against seeing it in the first place. Deciding to leave the Centre, we checked out the other movies in different locations and were surprised to see Spike Lee’s Klansman still playing in Dendy Newtown. Klansman was one of three movies on my August watchlist, aside from Crazy Rich and Mission Impossible. Released on 16 August, a combination of bad cards and decisions prevented me from seeing this joint. I was happy to finally get a glimpse yesterday.

Hart hitter

I was surprised that the cinema was still half full though this movie had been playing for six weeks. That was a good omen. This was my first Spike film at the cinema and it was a romp. From Alec Baldwin’s hilarious monologue at the outset, patrons had a lot of fun. This is not to detract it from the pressing issues that the film touches. Indeed, the Rotten Tomatoes consensus reveals that klansman brings out Lee’s ‘hardest hitting work in decades’. The humour throughout the film was a departure from Lee’s body of work, something my friend noted. John Washington, who stars as undercover cop Ron Stallworth, provides a Denzel worthy performance. He has strong support with Adam Driver as his Jewish twin, Topher Grace as KKK head David Duke, and Laura Harrier as Ron’s love interest.

‘Trenchant Commentary’

Aside from being a political commentary on race relations, the film is likewise a time machine, bringing us back to the 60s: the baggy clothes, retro landlines, Beetles, and Afro hairstyles. O.J. Simpson was still a great American hero and even the soundtrack was Motown. Nick said that only a black director could pull off such a portrait of racial tension in the US. Being black gives him a unique lens. I guess sitting court side to all those Knicks scuffles doesn’t hurt either. Spike did a masterful job in constructing a 60s universe, telling a highly original plot, dissecting race relations, and sprinkling a surfeit of humour. Even my pal remarked that it was wittier than he’d expected.

Ron Stallworth is a likeable cop. Though his uniform gets a bad rap, he does his precinct proud. The prejudice against blacks is everywhere, and exists even among blacks themselves. By moving to infiltrate the Ku Klux Klan, he has done a tremendous service to America. Even without the requisite support, he mounts a personal crusade against racism and makes a mockery out of white supremacists in the process. My buddy saw the length of the film as a parody, leading to an explosive climax and serious ending. The ending, he said, was more in line with Spike’s Lee’s joints. Even among the cops themselves, the racial divide is palpable. Ron is discriminates against from the moment he steps foot at Colorado Springs. While he manages to make friends, he is still assigned to rot in intelligence, where he phones and responds to a klan ad. The rest, as they say, is black power history.


Nick also noted that the events depicted in the production are still very much around today. The hatred, the bigotry, the intolerance, and racial abuse by the police force, are common scripts to this day. There was a scene in the movie where Ron tackles a plump white woman as he tried to flee. Once the cops arrived, she accused him of trying to rape her. The five ohs then immediately set upon Stallworth. It stayed that way until Flip (Adam Driver) arrived and ended the brutality. As they say, ‘Only in America’.

Last word

The film has earned universal acclaim, holding a 95 percent certified fresh score on Rotten Tomatoes. I say this is praise well earned, a very watchable film indeed. While not making a big enough splash at the box office, I conclude that it is still a must see for racial tensions in the US. My friend was finally able to see all 3, ranking klansman behind crazy rich and MI. Personally, I would say that Klansman is just a notch lower than crazy Rich. I’ve got two out of three from my watch list, and both were impressive. Not bad at all.

Rating: 4.5/5

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For the first time since June, we have a long weekend in Sydney. On June is the Queen’s Birthday public holiday across New South Wales. Different states celebrate this holiday on various dates. I watched House with Clock during the week, which was an okay movie with mostly average reviews. Yesterday, I went home to pick up some stuff, among other things. I’ve been away from home for now. We had some trouble on the way back and our trip was delayed. Today I attended the 9am Mass, unusual since I always go to the Saturday night version. After Mass we went to Rhodes to do some shopping, get things done, and had a light lunch. So I’ve been out two of the three free days. I’m not sure if I’ll be out again tomorrow, but should I leave, I already have an itinerary. 



The 9am Mass is a challenge. Saturday nights are more convenient, as you’re not in a rush. The late start definitely helps. However, for now, I am away from my old suburb. I always eat breakfast. Today I woke up before 7am but got to the Church just in time. I had to squeeze in the shower and getting ready, something that isn’t an issue with the evening Mass.



Mixed feelings

I’ve neglected my borrowed books in favour of going out. I have two Connelly’s and one junior fiction book, which an Indian ‘friend’ recommended. I’m three quarters through The Closers, so I have a ways to go. The weekend has brought mixed feelings. There were good moments and not so good news. I received a gift while waiting for the train this morning. Later today, I saw someone’s true colours after a simple phone call. Compatriots should look out for each other. Sadly, in real life, that’s not the case. I also flicked someone an email. Sending an impassioned message never felt more gratifying. 


Recharger bunny

I could have watched another movie this weekend, but the current film lineup dampened my interest. I wouldn’t bother with Johnny English OR Ladies in Black OR Smallfoot. I’ve seen three films in the past month: Crazy Rich, Christopher Robin, and House. The next wave of blockbusters should be released this month. At the end of the day we should not be afraid to try new things. Our next move would never be as tough as the first steps on the moon. I remember a direct line from William Forrester’s made-up novel, The Avalon Landing. To quote Jamal Wallace: ‘The rest of those who have gone before us cannot unsteady the unrest of those to follow’. Go figure. Or how about my new favourite, Harry Bosch? ‘Everyone counts or nobody counts’. The good thing about the long weekend is that we can recharge our batteries, have some fun, and be prepared for the next scene. 


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Barry (TV series) reviewed



So this week, there’s a lot of potential topics to blog about. Obviously, there’s the rugby league finals series, but I doubt many readers follow the action. I also eschew from proclaiming how great the Melbourne Storm are. There’s also another a couple of Connelly books to review, which formed my reading list together with China Rich girlfriend. Three books in less than a month. However, today I’d like to talk about this gem of a series that has won two Emmy’s, received near-universal acclaim, and has killer story lines. I’m talking about Barry, of course. 



In a nutshell, Barry tackles a professional hitman who soon discovers that acting is his ‘calling’. Set in present day LA, the show is a dark comedy with an original premise. People say Moonlight is unique because it intersects racism and homophobia. In terms of TV series, Barry’s plot is in unchartered territory. A hitman who stumbles on an acting class, deciding to be a thespian? Get outta here!



Shades of Mike

Bill Hader, who is both star and executive producer, reminded me of Michael C. Hall in Dexter. They both have licenses to kill, juggle two conflicting jobs, and even look alike. When I first saw Barry, the resemblance was clear. The opening scene saw Hader in latex gloves after he carried out a hit. While Hader is the sun in the Barry system, the show wouldn’t click without the work of his satellites. Henry Winkler is also uproarious as Gene, the class teacher with the strong personality who reminds me a bit of Frances McDormand. There’s Sarah Goldberg, who portrays Sally, Barry’s love interest. Theirs is a complicated relationship. Of course, Barry’s old friends from his hitman days won’t leave him alone, occasioning both laughs and cringing. While reminiscent of Dexter with the body count and guns, the show’s black comedy likewise harks shades of Burn after Reading. The first season showed how Barry creates humour out of errors and chuckles out of pain. 



I’ve seen a bit of Barry so far: five eps out of season 1’s eight. It is a delightful watch, and each viewing is all of thirty minutes. That duration makes for punchy, undemanding cha cha. Ironically, Barry’s ineptitude in his acting class entertains audiences. HBO is the mastermind behind this success story. You can count on them to produce some of the best TV. I was tossing up between period drama Westworld and this one. After seeing both pilots, I stuck with Bar. Anyhow, Emmy wins don’t lie. Bill Hader just won for Outstanding Lead Actor in a comedy, and was as surprised as anybody upon accepting the award. Even Winkler finally got his first Emmy after his sterling work on the programme. 


The road forward

After seeing the gore and frenzy of Walking Dead, or the endless battles in Game of a Thrones, the time is right for a fun filled sea change. Most series tail off after a great season or two. Remember Wayward Pines? Heroes, anybody? The road is lined with TV relics that failed to find an audience after a season or two. We’ll see if Barry can maintain this momentum. 


My rating: 4.8/5




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